Hello ladies :) we're starting with the basics.............try not to fall asleep.
- You don't really need wet hair for a bun, but you do need hairspray for a performance.
- It's often much better suited lower down, at the base of the skull.
- Normally after you put the net on, you flatten the bun by hitting it with the back of your hairbrush. The aim is to make the hair as unobtrusive as possible
- Yes! Hair clips. (USA = pins) They are necessary. Very necessary.
- Did I remember to say hair clips are necessary?
This style is based on tradition, but also on practicality. Your hair should be in place before you enter the studio and you should not have to adjust it during class. Alternative styles (that lie flat to the head) are fine for the classroom, as long as they do not impede movement, and stay in place. With practice over time, this can be done in just a few minutes - even by me!
It's only a thought, but I find dressing the part often helps you to get into the right frame of mind. Classical ballet isn't a style of movement that falls naturally for the body. So it's possible that going through the routine of setting your hair up and changing to ballet clothes, can help to shift the focus of your mind before you enter the studio. A lot of professional performers, both in sports and the arts, have their own routines that are performed religiously before any class/performance. Whilst it might not affect the end result it may at least help the transition from daily life to dancer! Please also try and remember that you are the role models for all the younger dancers. They look up to you and strive to be just like you - even down to the hair on your head.
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